tag:blogger.com,1999:blog-20097289119685871312024-03-18T21:41:20.001-07:00Essential Edits / SFeditor.caWriting advice and commentary from the editors at Essential Edits / SFeditor.caRobert Runtéhttp://www.blogger.com/profile/14629421213549342874noreply@blogger.comBlogger415125tag:blogger.com,1999:blog-2009728911968587131.post-43769124811658288682024-03-18T21:40:00.000-07:002024-03-18T21:40:18.770-07:00Review of The Year's Best Canadian Fantasy and Science Fiction Vol 1.This review originally appeard in <a href="https://www.ottawareviewofbooks.com/single-post/year-s-best-canadian-fantasy-and-science-fiction-vol-1-2023"><i>The Ottawa Review of Books</I></a> January 15, 2024.<P>
<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgepifAqynt6ve8ufK_x0xctjtFHe86g72-NYpJUOVmd0_Fogjv9JaJofXys8Yd5tWNgIJUEye2y48J-iEnCpFtYjD-guyo7YDm40_CgVNxLBzBw6HAe7J4NZdpbkNn3WBg8RAfo6eHb8exj8X-ekuQoFPuSKq4dyTVokvTBjRh4-dT6XRJHzypzSUMuN0/s1500/YearsBestCanadianSF.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="320" data-original-height="1500" data-original-width="971" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgepifAqynt6ve8ufK_x0xctjtFHe86g72-NYpJUOVmd0_Fogjv9JaJofXys8Yd5tWNgIJUEye2y48J-iEnCpFtYjD-guyo7YDm40_CgVNxLBzBw6HAe7J4NZdpbkNn3WBg8RAfo6eHb8exj8X-ekuQoFPuSKq4dyTVokvTBjRh4-dT6XRJHzypzSUMuN0/s320/YearsBestCanadianSF.jpg"/></a></div>
<P>When John Robert Columbo came out with the first anthology of Canadian speculative fiction, <i>Other Canadas</i>, in 1979, it was the first time most of us realized that there even was a Canadian version of the genre. To cobble the collection together, however, Columbo had to scour all of history and pad the list with the likes of Cyrano de Bergerac and Jules Verne—non-Canadians who happen to have set a story in the polar north—to fill his pages. By 1985, the field had expanded sufficiently that Judith Merril was able to solicit enough contemporary Canadian SF to fill the first Tesseracts anthology. <P>When I co-edited the fifth <i>Tesseract</i> anthology over a decade later, we had over 400 submissions, and I confidently predicted further explosive growth for Canadian SF&F. The Tesseract series is now up to number 22 though the series has morphed into themed anthologies rather than a general survey of the Canadian genre. <i>Imaginarium 2012<i> was the first attempt at reprinting the “Year’s Best” but the series ended with <i>Imaginarium</i> 4. We therefore have lacked a “Best of Canadian SF&F” series for the last eight years.
<P>
Enter Stephen Kotowych, the editor of the <i>Year’s Best Canadian Fantasy and Science Fiction</i>, Vol.1 (2023).
<P>
If I thought working on <i>Tesseracts 5</i> was challenging, I cannot begin to imagine trying to keep on top of a field that has expanded continuously over the last thirty years. The undertaking, especially by a single individual rather than a team backed by an established publisher, is outrageously audacious. And yet, Kotowych seems to have pulled it off. With 37 entries from 24 different magazines and 6 anthologies—a total of thirty different venues—the collection is certainly a representative survey of the field. The stories range from hard science fiction through fantasy, horror, and fevered dreams to pure CanLit. Inevitably, as with any anthology, tastes differ and one might quibble whether this or that entry is the “best” Canadians have to offer, but there’s no question Kotowych has nailed the breadth of what’s out there. Story quality ranged from “solid” to “outstanding” with the overall weighting tipped heavily towards the “excellent” end. If I’m honest, I think this collection is better than the one I co-edited, a reflection of how Canadian speculative fiction has expanded and matured in the decades since.
<P>
Best of all, the collection introduced me to a number of authors with whom I had not previously been acquainted. How had I missed, for example, Suyi Davies Okungbowa? I was shocked to find a stack of novels by this University of Ottawa prof, whose “Choke” is one of the outstanding stories in the current collection. That one discovery is worth the price of the collection five times over. Although “Choke” feels as if it would be comfortable in any CanLit magazine, it originally appeared in Tor.Com, so legitimately qualifies as speculative fiction. But wow! The freshness of the phrasing, the passion of the writing, the absolute resonance of the contemporary experience just floored me. That’s six new novels added to my To-Be-Read pile right there.
<P>
Similarly, I had no idea Nebula-nominated Ai Jiang was Canadian. Her “Give me English” is a great opening to the anthology, not just because it’s a gem of a story, but because it nicely illustrates how the current generation is infusing fresh themes and viewpoints into the Canadian genre. I have banged on for years how Canadian SF differed from that of the American (and to a lesser extent, the British) mass market SF&F, but I have to concede that the (English-language) Canadian genre often lacked culturally diverse voices, beyond some influences from Quebec. Jaing’s story speaks not just to the immigrant experience, but to the post-colonial, anti-capitalist themes that have become a natural part of the SF scene. Chelsea Vovel’s “Mischif Man” story of a Métis superhero similarly takes on Settler colonialism, and Lavigne’s “Choose Your Own” is one of the best feminist pieces ever: wincingly on target.
<P>
These and the majority of the entries fit my argument that Canadian speculative fiction is oddly optimistic despite the often downbeat premises. The future is on fire in Premee Mohamed’s “All that Burns Unseen”; perpetual war and exploitation are central to Michelle Tang’s “Vihum Heal”; oppressive religion stifles life in Kate Hearfield’s “And in the Arcade”; Charlotte Ashley’s “Distant Skies” features capitalist manipulation of our destinies through genetics; Holly Schofield’s “Maximum Efficiency” has robot soldiers vs humans; KT Brysk’s “Folk Hero Motifs in Tales Told by the Dead” is set in hell, for heaven’s sake. And yet, life goes on and people (or other sentients) find a way. I love this approach of ordinary people bumbling through tough times to carve out acceptable outcomes. It is the literature we need amidst the dumpster fire we’re living through.
<P>
Reynold’s “Broken Vow: The Adventures of Flick Gibson, Intergalactic Videographer” provides some needed comic relief, and the fiction is broken up by the inclusion of nine rather good, accessible poems.
<P>
Overall, it is a great collection, a great reflection on what Canadian speculative fiction has to offer, and a great first entry in which one can only hope will continue as an annual series.
<P>
<i>The Year’s Best Canadian Fantasy and Science Fiction</i> Vol.1 (2023) is published by Ansible Press.Robert Runtéhttp://www.blogger.com/profile/14629421213549342874noreply@blogger.com0tag:blogger.com,1999:blog-2009728911968587131.post-71421995864671815692024-02-28T12:28:00.000-08:002024-02-28T12:28:32.239-08:00Al/ice Reprinted<P>My short story "Al/ice" has been reprinted in the <a href="https://www.amazon.ca/Queens-Wonderland-Theresa-M-Halvorsen-ebook/dp/B0CV5TPHMF/ref=sr_1_1?crid=9J480T7GRB2X&dib=eyJ2IjoiMSJ9.hCuuEJXWN4OxXrCrI9ZW10ecHVqR7bXR8_86GnP0xBuj858OFWSbRz8u8DoFfi17vhFlEiH0QWiHHGlWenjhxDszidEt359o2mEQezc1CdLJ3692feO3HVQvCmkLEseDgZt_NnPE7fbAfMElqOvbPxrc1xicYQ3Obbq12XC0VGot_8ex-dUKjHQZ7SFppGeYVAWAF9z42vNspve-jNAJf2jPHnRXYAxa9s3yh81eSvU.JaBW40gjnJvHsaMUpm7qHLlqSQFgTPZIk4PVTPRPomM&dib_tag=se&keywords=queens+in+wonderland&qid=1709151527&s=books&sprefix=queens+in+wonderland%2Cstripbooks%2C2840&sr=1-1"><i>Queens in Wonderland</i></a> anthology from No Bad Books.
<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaFUnQGiwgbnJbCN1j1yQyTB_z9JuHfLTeRSp71koWO0lOCZuE2UbrOp1kEiIXNByOWOJAHydqGzELrPwc1XFj_8BTKUe75j-zPorFukCXhq1_7d04Pnxau6C1dk5KGKGWnrzJmNd-vZUvEmHZxcV50DkZwysrCEVYW2BXS65v9JNQU1A-_ynL/s1500/queens.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="320" data-original-height="1500" data-original-width="1014" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaFUnQGiwgbnJbCN1j1yQyTB_z9JuHfLTeRSp71koWO0lOCZuE2UbrOp1kEiIXNByOWOJAHydqGzELrPwc1XFj_8BTKUe75j-zPorFukCXhq1_7d04Pnxau6C1dk5KGKGWnrzJmNd-vZUvEmHZxcV50DkZwysrCEVYW2BXS65v9JNQU1A-_ynL/s320/queens.jpg"/></a></div>
The story was originally published in <i>Shoreline of Infinity #21</i> (April 2021), which provided a really helpful sensitivity read.Robert Runtéhttp://www.blogger.com/profile/14629421213549342874noreply@blogger.com0tag:blogger.com,1999:blog-2009728911968587131.post-61853924822966521382024-02-21T12:02:00.000-08:002024-02-28T12:10:22.961-08:00Detour on the Eight-Fold PathMy short story, "Detour on the Eight-Fold Path" has been reprinted in JayHenge's anthology, <i>AI, ROBOT.</i><P>
"<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgothGOniegv98zGP45-Aj3C0-4AqwYhOwZKMCO0o614l5YFi7HVB-QmRD_vrVzi70nSqd7l1H4Y5KTTaT0jyWNw3bj087syJarpdQ243Fi54ksrILCJIcvpZhACyEV1JiscAINH3iX_vCK8UEHmVZubXQK_Wz56V-xPICqGxisxE92q7jtB3iJR5Wlxpw/s270/AIRobot.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="320" data-original-height="270" data-original-width="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgothGOniegv98zGP45-Aj3C0-4AqwYhOwZKMCO0o614l5YFi7HVB-QmRD_vrVzi70nSqd7l1H4Y5KTTaT0jyWNw3bj087syJarpdQ243Fi54ksrILCJIcvpZhACyEV1JiscAINH3iX_vCK8UEHmVZubXQK_Wz56V-xPICqGxisxE92q7jtB3iJR5Wlxpw/s320/AIRobot.jpg"/></a></div>"<P>
The story originally appeared in <i>Neo-Opsis Magazine #31</i>.Robert Runtéhttp://www.blogger.com/profile/14629421213549342874noreply@blogger.com0tag:blogger.com,1999:blog-2009728911968587131.post-52799163230064674122024-02-20T12:29:00.000-08:002024-02-28T12:38:12.755-08:00The Changeling and the Bully" ReprintedMy short story, "The Changeling and the Bully" was reprinted in <i>Polar Borealis #28</I>, February, 2024, pp. 54-63.<P><i>Polar Borealis</i> is available as a free PDF download from <a href="https://polarborealis.ca/wp-content/uploads/2024/02/POLAR-BOREALIS-28-January-2024.pdf">https://polarborealis.ca/wp-content/uploads/2024/02/POLAR-BOREALIS-28-January-2024.pdf</a><P><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYNkbmX83nlLVReVpoOd-geLml3TmmDdkcJVUZReeQysr1pzTrCLYBpgtj4wsNXBlfK3CWyd-8SYL00DUwfe0o8jxmdCnqv1kGfSPeJJEyfjCUBRpv0Sx6Rux4V-jyTpdb90Io7Ruhnj6sZOjOddxBNaZTZQsJhhgOSq_0_8QAcHi2cULk4fL39XCE-B4/s270/PolarBorealis28.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="320" data-original-height="270" data-original-width="186" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYNkbmX83nlLVReVpoOd-geLml3TmmDdkcJVUZReeQysr1pzTrCLYBpgtj4wsNXBlfK3CWyd-8SYL00DUwfe0o8jxmdCnqv1kGfSPeJJEyfjCUBRpv0Sx6Rux4V-jyTpdb90Io7Ruhnj6sZOjOddxBNaZTZQsJhhgOSq_0_8QAcHi2cULk4fL39XCE-B4/s320/PolarBorealis28.jpg"/></a></div> <P>This is the origin story for my Ransom and Friends urban fantasy series. The story was originally originally published in Mythic #17, Oct, 2021, pp. 65-74. Robert Runtéhttp://www.blogger.com/profile/14629421213549342874noreply@blogger.com0tag:blogger.com,1999:blog-2009728911968587131.post-92097527688493002192024-01-15T16:00:00.000-08:002024-03-17T16:03:00.363-07:00Review of State of the Arc<br>This review originally appeared in <a href="https://www.ottawareviewofbooks.com/single-post/state-of-the-ark-canadian-future-fiction-edited-by-lesley-choyce"><i>The Ottawa Review of Books</i></a>, Nov 2023. <P><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJC-hPZ-Ux2yrUaRsX9xSWAd6YXGYEp2wCyRWbYklvpmbMOBGY5TRZvP0wOrMDi2ZXEe9-6GpMtC8P8hvYDi9zVhr-t4MFwuK10d0Zt5hDue8VU91T73zJi9mYYhEHyHy-sRF2jiI8OpsPDiE88-eLvAlPiLHqUOm3gPfaX4fprRcAoqALJcr_/s666/Screen%20Shot%202023-10-24%20at%207.05.05%20PM.png" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="400" data-original-height="666" data-original-width="439" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJC-hPZ-Ux2yrUaRsX9xSWAd6YXGYEp2wCyRWbYklvpmbMOBGY5TRZvP0wOrMDi2ZXEe9-6GpMtC8P8hvYDi9zVhr-t4MFwuK10d0Zt5hDue8VU91T73zJi9mYYhEHyHy-sRF2jiI8OpsPDiE88-eLvAlPiLHqUOm3gPfaX4fprRcAoqALJcr_/s400/Screen%20Shot%202023-10-24%20at%207.05.05%20PM.png"/></a></div><P>State of the Ark: Canadian Future Fiction
Edited and Introduction by Lesley Choyce<BR>
Reviewed by Robert Runté
<P>
As soon as I heard about this anthology, I knew I had to have it for my collection, because I already have Lesley Choyce’s and John Bell’s pioneering 1981 Visions from the Edge, the first anthology of speculative fiction from Atlantic Canada; and Choyce’s 1992 Ark of Ice, a now classic anthology of Canadian speculative fiction (Canada being the ark in question). State of the Ark represents the current state and range of speculative fiction in Canada 2023, including checking in with some of the same authors from the 1992 volume. It is, like its predecessors, an excellent cross-section of the Canadian speculative genre at one moment in time.
<P>
At one end of the spectrum, we have traditional space fiction: Robert Sawyer’s “Star Light, Star Bright”, is an approachable story of Dyson spheres, interstellar colonies, and good parenting. Sawyer’s stories are always about exploring the less-than-obvious implications of big scientific concepts and bringing those down to the human level. This short is an example of why Sawyer is arguably Canada’s most successful science fiction writer.
<P>
Julie E. Czerneda’s “Foster Earth” is similarly a classic first-contact story: humans trying to figure out how to communicate with The Silent with absolutely nothing to go on . . . and coincidentally, another story about great parenting. I love it!
<P>
My favourite SF story, though, is Julian Mortimer Smith’s “Read-Only Memory”, which explores near-future tech to absolutely nail contemporary attitudes and relationships. I’m definitely going to have to hunt down more of Smith’s work.
<P>
Jeremy Hull’s “Bright Future” covers the similar ground of virtual technology and relationships, but this time from a parenting angle (hmm, starting to see a trend here). C.J. Lavigne’s “Side Effects May Include” is a sharply Canadian take on medical tech’s relationship with late-stage capitalism.
<P>
Other more or less traditional SF entries included Spider Robinson’s story of slow interstellar travel; John Park’s “Hammerhead” other-world colonization; Terri Favro’s “Winter Pilgrimage of the Storytellers”, a multi-world portal novel; and Hugh A.D. Spencer’s
“Shoebox or The End of Civilization in Five Objects or Less”, a delightful satire of pompous museum staff, the ill-treatment of freelances, and the comeuppance Spencer (himself, a museum consultant) would wish upon them. Greg Bechtel’s “2115: Notes Toward Nine Stories of the Future” examines recent articles to project nine mutually exclusive punchlines for future fiction.
<P>
At the other end of the spectrum, we have the stories that lean heavily into CanLit, like Katherine Govier’s “VIXEN, SWAN, EMU, BEAR”. I really enjoyed her writing which connected each totem to moments in the narrator’s relationships. This story could comfortably have found a home in any Canadian literary journal. If anything, I questioned whether the speculative element was a bit thin, really only appearing in the last page—it felt a little tacked on. I was, therefore, not entirely surprised to read in her bio that the story had indeed originally appeared in Exile Literary Quarterly and the ending was added for this volume. I am not complaining though! It’s a marvelous piece of writing, and I am always appreciative that our best literary writers are open to stepping across genre lines, which elsewhere are often considered impenetrable. The number and influence of Canadian literary writers crossing over into speculative fiction is one reason our version of the genre is distinct from the mass market American version.
<P>
Between these two poles are stories that blur the line between literary and speculative genres.
<P>
Élisabeth Vonarburg’s “Terminus” is a parallel world story, but mostly about relationships, identity and self-worth. Casey June Wolf’s “Substance. Light” works some of the same themes, but with an even more poetic bent. Both allude to suicide (so: trigger warning).
<P>
Candas Jane Dorsey’s “The Card is the World” a dark--or maybe darkly funny--story plays with literary structure to deliver a commentary on science, suits, and--inevitably--relationships. (And almost as an aside, the invisibility of older women.) Tim Wynne-Jones’ “Eternity Leave” has flying saucers, but it is really a story about imagination, the literary life, and a beautiful day. The story nicely balances literal narrative and Wynne-Jones’ whimsical style.
<P>
Lesley Choyce’s own “Tantramar: A Love Story in a Time of Crisis” is either speculative fiction if we believe the characters, Canlit if they are delusional. It could go either way, but it works as a love story, so is categorization important?
<P>
I judge The State of the Ark an accurate presentation of current trends in the genre. Old writers and new are both represented, the new bringing a hopefully growing diversity of voices. There is an underlying optimism running through all these stories, even the dystopian ones, which is perhaps new. The collection as a whole is more literary than idea-driven, more about the writing than story-telling, which I would argue reflects the growing maturity of the speculative genre overall, even beyond Canada. Better yet, the majority of the stories here straddle these divides to combine the best of both CanLit and SF. There is room for both space ships and poetic language in Canadian speculative fiction, and even the straight-forward SF all has an identifiable Canadian slant to it.
<P>
The State of the Ark is a ‘must-have’ for anyone wondering what Canadian future fiction fares these days.
<P>
The State of the Ark is published by Pottersfield Press, 2023.
Robert Runtéhttp://www.blogger.com/profile/14629421213549342874noreply@blogger.com0tag:blogger.com,1999:blog-2009728911968587131.post-2977108443276849942023-12-29T15:39:00.000-08:002024-03-17T15:45:30.671-07:00Ransom and the Open Window Reprinted<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgk8QpVsOcpMGhi29A9LjeHplS2_DWIvA8wwtMNTZlB_oijMb9wl1QcZUU-9FfJbrk3YUmCk4ub7K_OLdpc_lQ4JTBOFoKY2jXwHuyXW7pmMpxdiclXtdusAczmy_m0nm3x6378D2zMZSqB9sDBRmbnz15RL0IM3v5YyoILhaTWSkvPezFDXBzWEV2saIM/s662/2024-01-17%20at%2011.19.44%20PM.png" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="400" data-original-height="662" data-original-width="456" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgk8QpVsOcpMGhi29A9LjeHplS2_DWIvA8wwtMNTZlB_oijMb9wl1QcZUU-9FfJbrk3YUmCk4ub7K_OLdpc_lQ4JTBOFoKY2jXwHuyXW7pmMpxdiclXtdusAczmy_m0nm3x6378D2zMZSqB9sDBRmbnz15RL0IM3v5YyoILhaTWSkvPezFDXBzWEV2saIM/s400/2024-01-17%20at%2011.19.44%20PM.png"/></a></div><P>My short story, "Ransom and the Open Window" has been reprinted in <i>Neo-Opsis Magazine</i> #35. It is the third story in my Ransom and Friends urban fantasy series, but was the first to be published, back in 2019, in <i>First Line Literary Journal</i>.Robert Runtéhttp://www.blogger.com/profile/14629421213549342874noreply@blogger.com0tag:blogger.com,1999:blog-2009728911968587131.post-2744249885776479162023-12-02T22:05:00.000-08:002023-12-02T22:05:57.611-08:00On Going Back to Rewrite a Previously Published BooKAn author I follow has recently posted they’re going back to rewrite their first novel. They explain that as they’ve become a more experienced—and therefore a more accomplished—author with many more books since, they now recognize the many mistakes they made in that first book. Those errors are haunting them and they have decided 2024 is the year to go back and rewrite that first novel, and perhaps parts of the rest of that initial series.
<P>
Hmmm. I have a few reservations about this announcement.
<P>
First, I liked that first novel. A lot. It’s possible some long-time fans might feel it being rewritten a tiny bit insulting. We bloody well discovered you with that novel, so don’t go saying we were wrong about it.
<P>
For example, the author now sees that the tone of the series was ‘inconsistent’, ending up a lot darker at the end than the tone of the original book; that it went from YA to a series for older readers. Um, yeah. That’s one of the things I identified that I liked about that series—that issues that seem straight-forward at first can get, not just worse, but more threatening existentially. A whole generation readers grew up following that series from YA to WTF and matured right along with the writing. We followed the hero(ine) ever deeper into grimdark, damn it, and now you’re telling us that was all a mistake?
<P>
Second, and more seriously—history tells us, authors going back to rewrite their earlier novels hasn’t always worked out well.
<P>
Let us take two relatively well known examples.
<P><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdQbFzRvvginfsff1C27InJl85pxsAMqN4eIhXl6zg82fsr1TmRt9VvqYW2reAp-zR1aAvJEymBVdJnirhwfe5cFaWIJxragCcpaqi0z8Et_MMXxVhTXiNew1wnpdbMZZTBRI1uddpHDJyec0tGD7UWQgPULHGRy7ahtOA1fs73V1FSy3UYjR72w3xPIs/s338/51rwtlrxuwL._SY342_.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="320" data-original-height="338" data-original-width="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdQbFzRvvginfsff1C27InJl85pxsAMqN4eIhXl6zg82fsr1TmRt9VvqYW2reAp-zR1aAvJEymBVdJnirhwfe5cFaWIJxragCcpaqi0z8Et_MMXxVhTXiNew1wnpdbMZZTBRI1uddpHDJyec0tGD7UWQgPULHGRy7ahtOA1fs73V1FSy3UYjR72w3xPIs/s320/51rwtlrxuwL._SY342_.jpg"/></a></div><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyCbt082Wb_6a5oiBjZQiWPyM6UxP0tXlr7AmnKoeAXpmsfFc_jLhMXv8Y22BAyhDUGPiy66QmLOKJqSL96hh55fpuvJ9NTmFAvZVLWIzSUcU4KoBrfhrLg4v-MfMn3CIup-vsf7AR-FOxkX13qvOlkmThobXJsPhOLddSBFsNhN-t8htvNLXssMcC2wY/s1360/61SKCic5UkL._SL1360_.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="320" data-original-height="1360" data-original-width="907" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyCbt082Wb_6a5oiBjZQiWPyM6UxP0tXlr7AmnKoeAXpmsfFc_jLhMXv8Y22BAyhDUGPiy66QmLOKJqSL96hh55fpuvJ9NTmFAvZVLWIzSUcU4KoBrfhrLg4v-MfMn3CIup-vsf7AR-FOxkX13qvOlkmThobXJsPhOLddSBFsNhN-t8htvNLXssMcC2wY/s320/61SKCic5UkL._SL1360_.jpg"/></a></div>
Case Study #1: Blake’s Progress by Ray Faraday Nelson first came out from Laser Books, edited by Roger Elwood, in 1975. It was a pretty good book. But as many critics noted, myself included, it just missed being a great book. And . . . we all blamed Roger Elwood for not pushing Nelson to that next level.
<P>
We expect editors to coach writers to produce the best book they can, otherwise, what’s the point of having editors? Any idiot can choose good books for a press, but the reason publishers get the lion’s share of royalties is supposed to be because they’re adding value—by editing good books into great ones.
<P>
No one had such expectations of Roger Elwood. Laser books was an imprint of Harlequin, which in those days was pumping out Harlequin Romances to a strict formula like so much processed cheese. Elwood convinced Harlequin that SF, then the second ranked marketing category just behind Romance, could be packaged in exactly the same way: 3 titles a month, 50-60,000 words, a brand-recognizable cover, and a reliable product that readers would loyally consume without even bothering to read the cover blurb. In effect, consumption based on genre rather than particular themes or authors or a unique cover.
<P>
Since we assumed Elwood was delivering processed cheese, many dismissed him and his imprint out of hand. SF readers, particularly faanish fans, were horrified by the Harliquin connection because fans had invested a lot of energy in those days distancing themselves from the genre’s pulp origins and particularly any association with formulaic Romance. (Romance has matured into a significant literary movement beyond the original limited formulaic Harlequins, and SF has become mainstream, so such attitudes have largely died out, but it was still definitely a thing in the mid-1970s).
<P>
More significantly for Harlequin’s marketing model, SF readers attended to authors and themes far more than Romance readers. Instead of all three releases selling a predictable, fixed number of copies, sales varied wildly between titles, leaving Harlequin with unsold inventory for some titles and unmet demand for others. Since that wasn’t how their model worked, they dropped the SF imprint within 2 years.
<P>
So . . . we all assumed that Nelson’s book must have suffered from bad editing.
<P>
Nelson, perhaps because he was reading those reviews, rewrote Blakes Progress ten years later as Timequest, published by Tor. No one could complain that Tor was some sort of second rate publisher, or their editors suspect.
<P>
Yet, speaking for myself, I found the new version unreadable. It was bloated, pretentious, overwritten and took itself far too seriously. Blake’s Progress was a good book, a nifty idea from which readers could extrapolate to what could have been a great book. But instead of fulfilling the promise of Blake’s Progress, Timequest was actively painful to read. I was unable to get through it.
<P>
<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg801vnhmvGOxI3FOeyOnh8cQQyHvJQf1DmAktTfveFNXlqUq5hMuPwQP34xeYP5yN4lFn-yZSmfYCIr16YfUEbwJXZ5SA7Ncl0gOBOfGR6q8Gxu_a6w24R30Bk5K9EWvUWiei3Vq_z09G2rZSs99i67H155GNtfcUZy0piLILK5TrihSj74orRpVwg_iQ/s315/Terry_Pratchett_The_Carpet_People_2-1.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="320" data-original-height="315" data-original-width="220" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg801vnhmvGOxI3FOeyOnh8cQQyHvJQf1DmAktTfveFNXlqUq5hMuPwQP34xeYP5yN4lFn-yZSmfYCIr16YfUEbwJXZ5SA7Ncl0gOBOfGR6q8Gxu_a6w24R30Bk5K9EWvUWiei3Vq_z09G2rZSs99i67H155GNtfcUZy0piLILK5TrihSj74orRpVwg_iQ/s320/Terry_Pratchett_The_Carpet_People_2-1.jpg"/></a></div><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsWn_5h3yhIjnNX8hq_v4jKZfAYpOiXhj_bDtFogeLWZlZRLJ4cbTjyk2_f4Kfx4d02ThDNN7ZMz8tH4hjt81McvxvmHwpfAFcCGHmUGx8OxoY15S6mGi16K53BDpegXCeLMnHEtsY4YWqsMh1jqcH1_mzK4jkhyphenhyphenMt6VpFiouG3ohmmKzS5qKpC2Wgyv0/s350/9e751e11ab785e0c5f2f81bf5b2282e5b63a8a29.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="320" data-original-height="350" data-original-width="207" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsWn_5h3yhIjnNX8hq_v4jKZfAYpOiXhj_bDtFogeLWZlZRLJ4cbTjyk2_f4Kfx4d02ThDNN7ZMz8tH4hjt81McvxvmHwpfAFcCGHmUGx8OxoY15S6mGi16K53BDpegXCeLMnHEtsY4YWqsMh1jqcH1_mzK4jkhyphenhyphenMt6VpFiouG3ohmmKzS5qKpC2Wgyv0/s320/9e751e11ab785e0c5f2f81bf5b2282e5b63a8a29.jpg"/></a></div>
Case Study #2 The Carpet People was originally published by Terry Pratchett in 1971, when he was 17. I was 19 that year and found The Carpet People on display in the “new books” section of the Strathcona Branch of the Edmonton Public Library. (Considering how few copies that initial version sold, I feel divine intervention was required to put a copy into my hands more than a decade before anyone had heard of Pratchett or the Disc World.) To this day, I have a visceral memory of lying on my stomach, tracing out the action of the book on the deep pile and intricate pattern of the Turkish carpet in my Mom’s front room.
<P>
To say that the original made a strong impression on me does not really cover the sense of wonder that it evoked, or that I never stopped thinking about it. It’s one of maybe five books that made me want to be a writer. Fifty plus years on, I still have the carpet I first read it on . . . and I can’t look at the pattern without seeing the roads and village of carpet people it traces out. <P>
But here’s the thing. I knew that novel had issues. I remember clearly my having enthused to my family—and anyone else who would listen—how great that book was . . . but always with the cravat that it had flaws. “You just have to ignore this loophole” or “Yeah, this other scene doesn’t quite work” I would say, in case they actually were persuaded to read it and wondered how I could miss such obvious weaknesses.
<P>
They must have been obvious weaknesses to Pratchett, too, when he undertook to rewrite the book twenty years later.
<P>
You can bet I devoured that rewrite the moment it hit the market. And it was . . . not the book I had read.
<P>
I’m not saying it was bad. On the contrary, the new edition was essentially flawless, the mature Pratchett writing at his peak. All the weaknesses of the original were now erased, the dialogue was pure Disc-World gold, the structural issues and under-development of the original all addressed.
<P>
But, um.
<P>
As Pratchett himself famously put it, "This book had two authors, and they were both the same person." He was clear about wanting to retain the strengths of the original, of it being a collaboration with his younger self, but I would argue that revising out all of the original’s flaws necessarily erased the 17 year old. I maintain that the rough edges were a crucial part of the original’s charm. The lack of sophistication was part of what lent the book much of its vitality, its ability to massively evoke my sense of wonder.
<P>
It is not just that the elder Pratchett was tampering with a treasured memory. I get that must be a factor. Nevertheless, I think it’s more a question that each of those two authors had their own strengths and weaknesses. The original version’s strengths lay partly in its very flaws—as they say in computer software circles, “that’s not a bug, that’s a feature”.
<P>
The original version was more interactive. As a reader, I had to fill in the cracks and plaster over the rough bits myself. I took the 17 year old’s vision and ran with it. It triggered the writer in me by making me extrapolate from what was there to the bits that were missing. In contrast, by smoothing out all the edges, the elder Pratchett changed the book from a collaboration between writer and reader to one where the reader is passively watching the perfectly rendered movie that is any mature Pratchett novel.
<P>
I am not saying that mature Pratchett ruined the book’s experience or even that he eroded my own fond memories of it. For the 99.9% of his readership who hadn’t read the original in 1971, the 1992 version is perfectly wonderful. I can’t imagine anyone being disappointed with it.
No, what I’m arguing is that the original had its own strengths and didn’t really need to be rewritten. It was never a failure. It served a different purpose, is all.
<P>
I completely understand Pratchett’s decision to rewrite. His Disc-World and YA fans would be expecting any Pratchett title to be the work of the mature Pratchett, and might well have been disappointed if they purchased a less polished volume. And of course, it makes no sense to have a viable property and not reprint it. But I am sad that the 17 year old’s book is no longer out there to engage and encourage 19-year-old-writers.
<P>
Which brings us back to the author I mentioned at the outset rewriting their first book in their first series from ten years ago. Artistically, I don’t think that’s remotely necessary. And I’m not entirely happy that the thematic development of the series will be smoothed out so it’s now all grimdark, not the sort of escalating existentialism that I appreciated as the original series progressed. But commercially . . . yeah, I get it. If that first book is preventing potential new adult / grimdark fans from reading and discovering (more importantly, buying) the whole series, than yeah, that needs to be fixed. But let’s think of it as “repurposing” the book rather than “fixing” it. By all means, re-edit to relaunch the successful series for a new generation of readers. Just don’t bad mouth the original.
<P>
A lot of self-published authors get better over time, and many of them have expressed regret to me over their having rushed their first novel into print before it was ready. That’s one reason I sometimes advise authors to use a pseudonym when starting out, rather than risk associating their name (i.e., their brand) with a book that won’t always remain up to their standards.
<P>
And of course, I think the services of a good editor can make a difference in ensuring that first book isn’t something that will be regretted later, but I’m pretty obviously biased on that one.
<P>
Going back and rewriting that book, though… Usually the time would be better invested in writing something new at one’s current level than revisiting and reinvesting in—“throwing good money/energy/time after bad”—at a title that has already had its turn. Let it go, unless reader feedback makes it clear that it’s sabotaging sales of more recent titles (e.g., when it’s the first in a series and one is losing all the readers who insist on starting any series with book 1).
<P>If one is going to revisit and rewrite—the rule has to be:<p><Ol>
<li> wait at least ten years, to ensure one has actually gotten ten-year’s-worth-of-writing better; and also so that the original audience has forgotten it such that it counts now as a new release. </li>
<P>
<li> Changing the title is acceptable if and only if it’s noted somewhere that this is a re-release of the old title. (Tricking people into rebuying the same book, even rewritten, is likely to piss them off enough so they never buy from that author/publisher again.)</li>
<P><li> really consider the strengths of the original (e.g., youthful vitality) and ensure one is not eviscerating what made the original book work and end up with something actively worse. Rewriting is always a double or nothing bet.</li></ol>
<P>
Was it really that bad, or merely a different genre/demographic/market/purpose? Smart authors often deliberately choose the simplest novel (of the dozens in their brain) to start with, in order to master the craft of plot, pacing, dialogue, basic character, and so on before attempting their magnum opus. Starting with a space opera before writing one’s Dostoevsky-equivalent (or whatever) doesn’t mean the first novel was crap, just that it was serving a different purpose/market than one is writing for now. The Dostoevsky writes space opera thing isn’t likely to work out.<P>
Robert Runtéhttp://www.blogger.com/profile/14629421213549342874noreply@blogger.com1tag:blogger.com,1999:blog-2009728911968587131.post-4825713774585523502023-11-01T14:28:00.002-07:002023-11-01T14:28:32.000-07:00Fami's Watch ReprintedAustralia's Antipodean SF #301 (Nov 1, 2023) has reprinted my flash story "Fami's Watch", which originally appeared in Polar Borealis #20, Dec 2021.
<https://antisf.com.au/the-stories/famis-watch<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiA6TRDFFnLbQ8ZV3JJ6gddbPHUGimA505lxXVvPk2vo41CCM6OZ2eEnC4kpmSeJrX9i7aJjDlhM1pjQOkvHpIwoXHLZc5Io6w0M1gik3Xz4XCrcbyHMRiaGU2x5XBpNwhTqnqq_sITdUKmolg4t_5z1_5O4FIj48JqtqiBwOXLnJwDwusfia9M/s576/Screen%20Shot%202023-11-01%20at%203.18.17%20PM.png" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="600" data-original-height="576" data-original-width="515" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiA6TRDFFnLbQ8ZV3JJ6gddbPHUGimA505lxXVvPk2vo41CCM6OZ2eEnC4kpmSeJrX9i7aJjDlhM1pjQOkvHpIwoXHLZc5Io6w0M1gik3Xz4XCrcbyHMRiaGU2x5XBpNwhTqnqq_sITdUKmolg4t_5z1_5O4FIj48JqtqiBwOXLnJwDwusfia9M/s600/Screen%20Shot%202023-11-01%20at%203.18.17%20PM.png"/></a></div>
<P>
<P>
<P>
(Photo: actual "Never Ending Time Electronic Braclet" from Techwear -- about $42 CND. Does not come with AI personality.)Robert Runtéhttp://www.blogger.com/profile/14629421213549342874noreply@blogger.com0tag:blogger.com,1999:blog-2009728911968587131.post-17628229950760605542023-10-26T08:12:00.014-07:002023-10-26T08:12:00.164-07:00"Misdial" Republished in Audio<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia5B5Pk6bF0bcubymQJ121p9K0DxrngLGLMznPpH1hExL5ra_FkFnafrHSYKKsjcNlezh3de-l01QBZj24rWYsSQ-K8gRRB6aWco_yO5rDUVpiX9nR6D_AFIjAIhXZXDDLugFsnH9Se6-73TVSiCYlKaIOvwHBbp00keq8mp8cFnvmvccoLML9HxR4Sec/s1500/0839.png" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="400" data-original-height="1500" data-original-width="1500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia5B5Pk6bF0bcubymQJ121p9K0DxrngLGLMznPpH1hExL5ra_FkFnafrHSYKKsjcNlezh3de-l01QBZj24rWYsSQ-K8gRRB6aWco_yO5rDUVpiX9nR6D_AFIjAIhXZXDDLugFsnH9Se6-73TVSiCYlKaIOvwHBbp00keq8mp8cFnvmvccoLML9HxR4Sec/s400/0839.png"/></a></div><p>My flash story, "Misdial",is up today at Manawaka Studios, <a href="https://open.spotify.com/show/22LOnue81ffUEwk7wJdToT"><i>Flash Fiction Podcast</i></a>.<P> The story originally appeared in <i>Active Voice/Voix active</i>, the Editors Canada newsletter, Spring/Summer, 2019, and reprinted in <i>Metastellar</i> March 8, 2021.Robert Runtéhttp://www.blogger.com/profile/14629421213549342874noreply@blogger.com0tag:blogger.com,1999:blog-2009728911968587131.post-14277312414361742842023-10-25T11:37:00.000-07:002023-10-25T11:37:36.115-07:00Three Drabbles Published<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghuKvEiECyvbInIDPln1PI7btRWdHszCwmyMik_KvMLUQbsNFTQFXhG-egDIEvyvj0ondksqm38Q1zNojCZMLnwsCy0U0S8u-GXuQJ9xU3AP51Rz2nebyA6ey1RP8Pir2wcdcurhvF84-kZ9iO7uueurc_Ap9G6zfoxGjMb50ztp-s5CTrPVK8lSdnHMA/s591/Siren%27s%20Call%2063.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="400" data-original-height="591" data-original-width="456" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghuKvEiECyvbInIDPln1PI7btRWdHszCwmyMik_KvMLUQbsNFTQFXhG-egDIEvyvj0ondksqm38Q1zNojCZMLnwsCy0U0S8u-GXuQJ9xU3AP51Rz2nebyA6ey1RP8Pir2wcdcurhvF84-kZ9iO7uueurc_Ap9G6zfoxGjMb50ztp-s5CTrPVK8lSdnHMA/s400/Siren%27s%20Call%2063.jpg"/></a></div>Issue #63 of Sirens Call is out today and contains three of my drabbles (p.334): "The Family Home" (original to this issue) and two reprints: "Staked to the Stars" originally published by Microfiction Monday and "Spellcheck" originally published by ScribesMicro. Siren's Call is free to download:<a href="http://www.sirenscallpublications.com/pdfs/SirensCallEZine_Halloween2023.pdf">http://www.sirenscallpublications.com/pdfs/SirensCallEZine_Halloween2023.pdf</a> #63 is the Halloween issue.Robert Runtéhttp://www.blogger.com/profile/14629421213549342874noreply@blogger.com0tag:blogger.com,1999:blog-2009728911968587131.post-79460930503943784142023-10-23T07:46:00.004-07:002023-10-23T07:46:26.556-07:002016 GoH Speech Excerpt Re-Podcast I've just noticed that When Words Collide republished an excerpt from my 2016 Keynote on their August "Collision Reconstructed" podcast.
https://whenwordscollide.libsyn.com/2023-006-collision-reconstruction-life-hacks
<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi804Lj0LPYa-I9_QhztKgZAOSjP59BN7GkHNbvQbMaJ2iMxgJE5DJ1Ufy3eIn_jdTYM2z0ORvC9_wsGbMZbn170PK87WgMAcUgAXIH9m7ZvJth2HXoIjoO90FHuSDECHAoooZeux68plmnkcAK6vqBF3u2Fmb0KdFMjOUxvHVAF5pcLQJkP2OX/s546/Screen%20Shot%202023-10-23%20at%208.41.14%20AM.png" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="400" data-original-height="156" data-original-width="546" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi804Lj0LPYa-I9_QhztKgZAOSjP59BN7GkHNbvQbMaJ2iMxgJE5DJ1Ufy3eIn_jdTYM2z0ORvC9_wsGbMZbn170PK87WgMAcUgAXIH9m7ZvJth2HXoIjoO90FHuSDECHAoooZeux68plmnkcAK6vqBF3u2Fmb0KdFMjOUxvHVAF5pcLQJkP2OX/s400/Screen%20Shot%202023-10-23%20at%208.41.14%20AM.png"/></a></div>
I'm not entirely sure how my curmudgeonly opening qualifies as a "Life-hack" but still happy to be included along with Jack Whyte and Leanne Shirtliffle.
(The rest of my speech was hopefully more positive than this excerpt...my concluding prognosis was that things were actually pretty good for the long term. Original, complete speech here: https://whenwordscollide.libsyn.com/2016-004-goh-robert-runte )Robert Runtéhttp://www.blogger.com/profile/14629421213549342874noreply@blogger.com0tag:blogger.com,1999:blog-2009728911968587131.post-27272833576366961442023-10-15T14:26:00.000-07:002023-10-15T14:26:25.008-07:00New Drabble Published<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsvxH6ipYFdgd43kQrcRS75Dgnlu7cmiG2YLCqXt98VVxP9S6WHQ8gUkgi2PXmIaDeTyI3xtGloQur1ww2Vv2qhVuGAJ9jvPPNlRJu5Poz9Smhh-vjOtZZL-T29-oEzZaFfFY5IZdjy38AI2BIaqxooPHKyBGj6_IpS55Ge1_whWd0WMKp3QeLK7JrsiA/s1500/The%20Scribes%20Prize%20-%20Honorable.png" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="200" data-original-height="1500" data-original-width="1500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsvxH6ipYFdgd43kQrcRS75Dgnlu7cmiG2YLCqXt98VVxP9S6WHQ8gUkgi2PXmIaDeTyI3xtGloQur1ww2Vv2qhVuGAJ9jvPPNlRJu5Poz9Smhh-vjOtZZL-T29-oEzZaFfFY5IZdjy38AI2BIaqxooPHKyBGj6_IpS55Ge1_whWd0WMKp3QeLK7JrsiA/s200/The%20Scribes%20Prize%20-%20Honorable.png"/></a></div><P>My drabble, "Cabin Fever" was published in Fairfield <a href="https://www.fairfieldscribes.com/issue-34.html">ScribesMicro #34</a>. This was their contest issue, and my story received an honourable mention. You have to scroll down to find my story, but the winners are well worth reading. (I particularly related to the 1st-place winner.)
Robert Runtéhttp://www.blogger.com/profile/14629421213549342874noreply@blogger.com0tag:blogger.com,1999:blog-2009728911968587131.post-13051266234949168222023-09-30T14:53:00.005-07:002023-09-30T14:53:52.348-07:00Flash Memoir: The Bad Day Book Published<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgT9zePmjyD6h79nDhLAR2ap_pPS_VwN_SS_Gkiz7fIgZ_zR7w6DT92AjaeIFw0fasryApBCJ1WGNOxT6YjOQ37n6ZJc4a79DvnMFJ3eBGGUNBfZxEjCM-pnzK8GXPEM1lMcNZEyCWRhtm9MddD9wPlwz3xD6zpgKsAqbHeAPt1cCW2TbPX-4xT/s1360/514bKXZ0UyL._SL1360_.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="400" data-original-height="1360" data-original-width="880" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgT9zePmjyD6h79nDhLAR2ap_pPS_VwN_SS_Gkiz7fIgZ_zR7w6DT92AjaeIFw0fasryApBCJ1WGNOxT6YjOQ37n6ZJc4a79DvnMFJ3eBGGUNBfZxEjCM-pnzK8GXPEM1lMcNZEyCWRhtm9MddD9wPlwz3xD6zpgKsAqbHeAPt1cCW2TbPX-4xT/s400/514bKXZ0UyL._SL1360_.jpg"/></a></div>
<i>The Bad Day Book</i> (Vol.1) is up on Amazon.ca today. I have two (hopefully humorous) flash memoir pieces in this volume: "The Lecture" and "Of Mice and Cannibals". The ebook version is on sale this week for $6.73 CND ($4.00 US) but will be double that next week.
<p>Writers might want to note that there are many more volumes planned for the future (assuming always this one sells, but it's the sort of book one could see being sold at Costco or Walmart, so I'm assuming they will be a go.) The contract is very similar to the rights Chicken Soup of the Soul asks for, so that may disqualify the market for some writers, but they do accept old blog posts, which gives these pieces a significantly larger audience than the 7 people subscribed to my blog. The editor, Amilee Weaver Selfridge, is a delight to work with.
Robert Runtéhttp://www.blogger.com/profile/14629421213549342874noreply@blogger.com0tag:blogger.com,1999:blog-2009728911968587131.post-68244661307646439612023-09-26T09:23:00.000-07:002023-09-26T09:23:25.103-07:00"Fami's Dissertation Defense" ReprintedMy flash fiction, "Fami's Dissertation Defense", has been reprinted in <i>Polar Borealis #26</i>, out this week. <i>Polar Borealis</i> is available free for <a href="https://polarborealis.ca/?sdm_process_download=1&download_id=1061">download as a PDF</a>, the story starts on page 42. <p>
<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8krMogS4NnDWEnteRcOS5gEeX_RTMcxZ2yw8K5jxhWLIrSsq2M9FF4bu0cDbeyhAUMzEkfEatF6QKa-Da7mzSpP6Os1f0qr_RxDr2AOjJcr9wkh5E_PJQ_PP2g-AHopQogP-cDimqmYKYLO5mG0mqJwKfqgcyDSpU783Cyz_X6y-34-or_8qQtPxyk5Q/s677/Polar%20Borealis%20Cover%2026.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="400" data-original-height="677" data-original-width="495" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8krMogS4NnDWEnteRcOS5gEeX_RTMcxZ2yw8K5jxhWLIrSsq2M9FF4bu0cDbeyhAUMzEkfEatF6QKa-Da7mzSpP6Os1f0qr_RxDr2AOjJcr9wkh5E_PJQ_PP2g-AHopQogP-cDimqmYKYLO5mG0mqJwKfqgcyDSpU783Cyz_X6y-34-or_8qQtPxyk5Q/s400/Polar%20Borealis%20Cover%2026.jpg"/></a></div>
[The story originally appeared in <i>Ripples in Space</i> Magazine (which appears to have been inactive since 2020)]. Robert Runtéhttp://www.blogger.com/profile/14629421213549342874noreply@blogger.com0tag:blogger.com,1999:blog-2009728911968587131.post-68407445210212079722023-09-15T09:48:00.006-07:002023-09-15T09:53:57.092-07:00Review of Matthew Hughes' Cascor<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhss8YbI8cd0n6j5d7yqI9gpqhQRFX2d1uqCWx5NjBrJ34ziTKbPN-V1zXSuDmnToTuVfdDhf0BmijR5-QI--NYHW7328ueMGRvMeypaF82cIGtzjMb4N6z9UYrkfipq2GzC5Lq6EsH3m2iq6D4CfMat6Df1qOCyQLI7gw89zAWh-OhPe8s145_/s500/Cascor.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="320" data-original-height="500" data-original-width="333" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhss8YbI8cd0n6j5d7yqI9gpqhQRFX2d1uqCWx5NjBrJ34ziTKbPN-V1zXSuDmnToTuVfdDhf0BmijR5-QI--NYHW7328ueMGRvMeypaF82cIGtzjMb4N6z9UYrkfipq2GzC5Lq6EsH3m2iq6D4CfMat6Df1qOCyQLI7gw89zAWh-OhPe8s145_/s320/Cascor.jpg"/></a></div><p>My review of Matthew Hughes' lastest short story collection, <i>Cascor</i>, is up at The Ottawa Review of Books (now in its 10th year!"<p><a href="https://www.ottawareviewofbooks.com/single-post/cascor-by-matthew-hughes">https://www.ottawareviewofbooks.com/single-post/cascor-by-matthew-hughes</a>Robert Runtéhttp://www.blogger.com/profile/14629421213549342874noreply@blogger.com0tag:blogger.com,1999:blog-2009728911968587131.post-38274540825719082572023-09-06T19:16:00.001-07:002023-09-15T19:18:29.748-07:00New Short Story Published<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXiiD3GE3X4o8ic99oJ97MXsxSHtMIz2RILhr4dZDx8gCFHv0A1ozHjXY0aTuckUXaYtw9rOf5mK5YALO-2P5q7mNrDqlAYZ3UGobfMCsgmCOKsxDNaHahy2NbrnGIRqwFyl_x8I7BX1TgA0IddY-z28aOeo8rL4Eqexl4jo1JTSe6EU6AOrUy/s1524/OccultDectective%2310.png" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="320" data-original-height="1524" data-original-width="1003" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXiiD3GE3X4o8ic99oJ97MXsxSHtMIz2RILhr4dZDx8gCFHv0A1ozHjXY0aTuckUXaYtw9rOf5mK5YALO-2P5q7mNrDqlAYZ3UGobfMCsgmCOKsxDNaHahy2NbrnGIRqwFyl_x8I7BX1TgA0IddY-z28aOeo8rL4Eqexl4jo1JTSe6EU6AOrUy/s320/OccultDectective%2310.png"/></a></div><P>My short story, "An Isolated Case" has been published in <a href="https://www.amazon.com/dp/B0CGL3S5TH"><i>Occult Detective Magazine</a>Robert Runtéhttp://www.blogger.com/profile/14629421213549342874noreply@blogger.com0tag:blogger.com,1999:blog-2009728911968587131.post-44283376751190343432023-07-24T21:08:00.002-07:002023-07-24T21:08:23.410-07:00When Words Collide, Calgary Delta South, August 4-6, 2023<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVWKFWIn8kGb-8gfBOMjVqdu6ggK66NCs5kP_aUzbnPeggfgKuA4DbAz_3TsE_VoUwPzAfaKtEsjmKrxVI_ORAZQnQcPmIZS-e9sBqID8AhrymDMFlT9C4bPHa2pBmMVYjj-HzcNJobRXj_4zTgu7byxw9vqayBVGTTdfcIdZHEvZOvqEb4X5e/s300/WWClogoblue-300x83.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="320" data-original-height="83" data-original-width="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVWKFWIn8kGb-8gfBOMjVqdu6ggK66NCs5kP_aUzbnPeggfgKuA4DbAz_3TsE_VoUwPzAfaKtEsjmKrxVI_ORAZQnQcPmIZS-e9sBqID8AhrymDMFlT9C4bPHa2pBmMVYjj-HzcNJobRXj_4zTgu7byxw9vqayBVGTTdfcIdZHEvZOvqEb4X5e/s320/WWClogoblue-300x83.jpg"/></a></div><p>I'm looking forward to attending When Words Collide in Calgary August 4-6. I'm currently slotted on the following events:<P>
Friday 1 PM - Practice Pitch: People hoping to pitch to acquisiton editors/agents later in the conference get to practice and get feedback from me first.<P>
<BR>Friday 3 PM Working with an Editor panel<BR>
Fireside <P>
<br>Friday 4 PM -Writer/Editor Speed Mingle: like speed dating, editors/writers meet each other for 5 minutes each<BR>
Atrium commons<P>
Saturday 2 PM - Why Are Zombies Essential to a Writer’s Group? panel session<BR>Waterton<P>
Saturday 4 PM - What are SFF Editors Looking For? panel<BR>
A-Waterton<P>
Sunday 10 AM - Blue Pencil Cafe: quick feedback on opening pages -requires sign up<BR>Jasper<P>
Sunday 4 PM B- - Multiculturalism in 2023<BR>Canmore<p>
I will also be hanging out the rest of the con to meet people etc.Robert Runtéhttp://www.blogger.com/profile/14629421213549342874noreply@blogger.com0tag:blogger.com,1999:blog-2009728911968587131.post-88661514483139993272023-07-21T11:48:00.002-07:002023-07-21T11:48:41.839-07:00New Drabble<A<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhyV7iEx8FtGb-LhdIgCPbjwgV4zW-SE5Fg4DuzQXLWZQDCeOLk93d2uDSzOw7Tfjyb8MQx5epXc13wQx8FekRjntIWtkY5vVqQkGnaQqmbgmEXXCvqWyoLzquorbkqAxs6ioYo2tvhkOr1297LgWD7a0sqFNGzdPpf2aEyYvyXYJLONWnsQqdHaCs2i8/s512/download-1.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="320" data-original-height="512" data-original-width="512" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhyV7iEx8FtGb-LhdIgCPbjwgV4zW-SE5Fg4DuzQXLWZQDCeOLk93d2uDSzOw7Tfjyb8MQx5epXc13wQx8FekRjntIWtkY5vVqQkGnaQqmbgmEXXCvqWyoLzquorbkqAxs6ioYo2tvhkOr1297LgWD7a0sqFNGzdPpf2aEyYvyXYJLONWnsQqdHaCs2i8/s320/download-1.jpg"/></a></div>/>
<P>My new drabble, "Deja Vu" is up at Fairfield ScribesMicro #31. <a href="https://www.fairfieldscribes.com/issue-31.html/">https://www.fairfieldscribes.com/issue-31.html/"Robert Runtéhttp://www.blogger.com/profile/14629421213549342874noreply@blogger.com0tag:blogger.com,1999:blog-2009728911968587131.post-27885910112256113572023-07-16T13:59:00.006-07:002023-07-17T13:20:36.548-07:00Developmental Editing to Address (Inadvertent) Racism<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbAlSIjUQIQpHsCLZcExqv8DvFY-lqjovSTijE6NUkoFgHuARZxNKjHd7YL8uCC5MvDKczAb8yEX6P2v1u4USN2PL1KeyHD-qOHaVprzFenzugl6KjBKl-_G3dJBGkdswZ2F1WYV9NHALDlAOeIDgR4vUDxjK030M8FpuHotATDWECu0w9J-sOZgLO5Bw/s312/download.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="320" data-original-height="312" data-original-width="161" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbAlSIjUQIQpHsCLZcExqv8DvFY-lqjovSTijE6NUkoFgHuARZxNKjHd7YL8uCC5MvDKczAb8yEX6P2v1u4USN2PL1KeyHD-qOHaVprzFenzugl6KjBKl-_G3dJBGkdswZ2F1WYV9NHALDlAOeIDgR4vUDxjK030M8FpuHotATDWECu0w9J-sOZgLO5Bw/s320/download.jpg"/></a></div><Blockquote><small><I>The photo instantly recognizable as Jerry Potts by any Canadian school kid—the one Indigenous character featured in every Canadian social studies textbook at every grade level</i></small></blockquote><P> <br> <i>Going through some of my old writing, I came across my November 30, 2018 post from an editing forum and thought I would repost it here with an update to how things ended(?) in Alberta. (Note that "First Nations" was still the favoured term in the era of the Decore Report, but has now shifted to the more inclusive "Indigenous".)</i>
<P>
I was one of the graduate research assistants on the Decore Report <a href="https://eric.ed.gov/?id=ED225768">(https://eric.ed.gov/?id=ED225768)</a>, way back at the beginning of my career (1980). The Decore Report looked at native content in the social studies curriculum...and that was eye-opening, let me tell you.
<P>
The three most serious problems were not the blatant racism—there was some, but most of the Alberta materials were already past that stage and it was easy enough to identify it and get it off the shelves where it still showed up—but the more subtle stuff which is, I fear, still problematic all these years later:
<P><OL>
<li> <b>The Dancing Minorities Trick:</b> I can't remember if that was my phrase or coined by one of the team members, but the problem is that the portrayal of any minority is a photo of them in costumes from 1850 or before, dancing. So not just First Nations Hoop Dancing, but Ukrainians portrayed as Chunka dancers and etc. Because when you're writing about First Nations or Ukrainians or whomever, you need a picture, so the publisher goes to a stock photo company and asks for a photo and the stock photo company sends you a picture of natives in native costume rather than some guy in a suit. Because that's the most imaginative a publisher can get in terms of photos, and dancing is what the author writes about when describing other's culture because talking about First Nation notions of time takes you down a rabbit hole of racism and talking about First Nation spirituality will offend the fundamentalists etc etc, so dancing in their costumes from 1700 is colorful and interesting and superficial as hell. So every kid grows up thinking First Nations means guys who are old fashion, dancing, and irrelevant.</li>
<LI><B> This book isn't about that:</b> This one has pretty much corrected in Alberta since 1985 as a result of the government responding to the Decore report, but worth checking elsewhere. The idea that First Nations are historical, not current. So the chapter on First Nations came after dinosaurs and before settlers. And we would ask, where is the native content after 1901 and the answer was always, "What?" I remember one pair of authors who had done the textbook for WWI and WWII and their reaction when I asked them for the Native Content. "But that doesn't apply to us! Our book is about the World Wars." They were completely incredulous that I thought there should be native content included. But my (by then) boss in the government told them, no native content, no sale. So they went away and came back a year later with a new draft and a chagrined expression saying, "well know that you mention it, did you know there was this First Nations regiment...." No I hadn't, and no kid in Alberta would have known that either, if we hadn't forced you to go do the research. So that kind of worked...except for:</li>
<P>
<li><B>Repetition is boring:</b> So in the Decore report, our complaint wasn't just that every time a text talked about native content, there was picture of a tipi, it was that it was the same damn photo—because all the publishers were going to the same stock photo company and buying the same one stock photo. There were fewer than maybe 20 photos total, maybe five individuals, recycled endlessly. Every mention of native people would have the same sidebar insert with a photo of Jerry Potts and the spiel about what a great guide he was. Leaving aside for the moment the dubious matter of promoting a collaborator as the most notable native of his time, the question is, how many times can you read about Jerry Potts without wanting to shoot yourself? And it was all like that. The first round of insisting that native content was included in textbooks was the exact same content every time at every grade level, over and over again, until what every Alberta kid really learnt was that native content is boring. Because they're read/heard it over and over again and till sick of it; and because if every time you encounter First Nations content, it's the same content it's not unreasonable that many kids conclude that's all there is to native culture. If you only ever hear 20 things over and over you think you know it all now, and that there's not much to it. Boring, limited, and irrelevant. </li>
</ol><P>
Well, duh! But writers and publishers are lazy, so when told to put in native content, they all think, "well, I've heard of this Jerry Potts guy (I live two blocks from Jerry Potts Road) so here's a half page about Jerry Potts, done."
<P>
I worry that this phenomenon is still at play in Alberta today [edit: 2018]. Although the provincial government has gone to great lengths to not just increase the amount of First Nations content, but the variety (working it into practically every subject at every grade level—actual policy to do that) the cumulative effect might be that what they are actually teaching a lot of Albertans is that First Nation culture is boring. Of course, that's fed by an ocean of racism ("why do we have to focus on First Nations all the time? Why not my Lithuanian background" or whatever—just like the males in my class keep telling me we're devoting too much class time to gender issues :-) but it is perhaps remotely possible that we have over-corrected the previous absence with a disproportionate concentration without sufficient depth to provide the necessary context, concentration and integration to allow it to be actually interesting. Presenting three facts in social, one story in English, and two math questions is not the same as actually teaching about First Nations.
<P><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifXx199_Mwwg6L_wO66GDpsR3Xb_meHd6h75pGrWTPLjOIZDfUn_AtyVxYQRYMz2tHC4Art-1xmZcyntvZDHSBmi1BT0XOQDyNnSj4CiNMSj3h2JN9Bwtj9O1rx7TIzkPG-RVpZHeTYGFL1jD5mxUAvTjL45X6RabOxZtH2Xk1ta8HlBxXu0fi9p2_JFw/s372/Screen%20Shot%202023-07-16%20at%202.12.10%20PM.png" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="320" data-original-height="372" data-original-width="278" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifXx199_Mwwg6L_wO66GDpsR3Xb_meHd6h75pGrWTPLjOIZDfUn_AtyVxYQRYMz2tHC4Art-1xmZcyntvZDHSBmi1BT0XOQDyNnSj4CiNMSj3h2JN9Bwtj9O1rx7TIzkPG-RVpZHeTYGFL1jD5mxUAvTjL45X6RabOxZtH2Xk1ta8HlBxXu0fi9p2_JFw/s320/Screen%20Shot%202023-07-16%20at%202.12.10%20PM.png"/></a></div><P>
Anyway, none of that really makes sense until you see it done correctly. And in the early 1980s, Alberta came out with the Kanata Kits which were and remain the greatest social studies resources ever made. You see them, and you suddenly realize how bloody racist everything that isn't them really is. To take just one quick example: the grade 3 curriculum was about 'family' so the Kanata Kits showed a dozen different families...and showed them by showing actual families who were neighbours or etc to the authors. So we get the Chinese family and the First Nations family and the Italian family and the Jewish family and the Jones or whatever, but then the stories of the families would follow a questionnaire that would say, "what is your special holiday" or "what is your favourite special meal" etc, and the families surveyed answered with their <i>actual</i> answers, not the racial stereotypes portrayed in every other textbook. So the First Nations family said when they wanted a special meal, they went out for Chinese food. The Chinese family ordered pizza. (Or whatever—I forget which family took what, but you get the idea.) The First Nations dad worked in IT. Nobody danced. Nobody portrayed the superficial stuff we usually focus on when we talk about this or that culture. What came across was the great melting pot of a common Canadian multicultural identity, every family is the same even though completely different. Real culture portrayed so Grade 3 kids could understand it. But of course, the curriculum changed and those kits have been long gone...
<P>
<B> Update</b>The above commentary was written in 2018, just before the new Social Studies curriculum was due to be implemented. The 2018 iteration was based on the advances in inclusiveness initiated by two successive Progressive Conservative governments—that must get a great deal of the credit for forward-looking thinking backed by significant funding to make a more inclusive and thoughtful curriculum—and designed by committees of classroom teachers, subject area experts, and community representatives. The NDP government that inherited the process made a few tweaks, and then...lost the election to the UCP—Who immediately denounced that carefully and transparently developed curriculum as hateful communist propaganda, and threw it (and millions in development costs) out the window. Instead of teachers and subject experts they hired a handful of UCP hacks/Residential School denier's to plagiarize an American private Christian-school social studies curriculum and eliminate almost all of the Indigenous content, restricting it in the ways identified above on what not to do, and white-washed all of grades k-6. The UCP curriculum became an immediate embarrassment. The other Canadian jurisdictions (Yukon, NWT that had used Alberta curriculum dropped it as too awful, whatever the cost to replace it. Besides the racist element's reintrodution, the elimination of any sign of inclusiveness, the curriculum is just appalling bad in every detail—irrelevant factoids that students have to memorize, never going higher than rote memorization on Bloom's Taxonomy. Only a single American, right-wing professor could be found to say he thought that UCP social studies curriculum was okay—every other curriculum expert in Canada and abroad denounced it as going against the previous 60 years of education research. <P> *Sigh* <P>Notwithstanding the abrupt reversal of public education in Alberta through the removal of relevance, critical thinking, and inclusion—i.e., anything one might consider 'education' as opposed to 'schooling' focused only on compliance—I believe my three points stand for any writer or editor who wishes to make their books less racist. It's not enough to avoid blatant racist stereotypes and language, one has to consider the cumulative effects of what is being put forward and whether it plays into a larger context of inadvertent racism: is the focus on some irrelevant aspects of the group identified and/or is the focus insufficient to provide meaningful context? Is the content of this book unintentionally repeating the exact same stereotypes/content of what has gone before, thus reinforcing stereotypes and irrelevance? Is the content repetition rendering the work boring.<P>As writers, "boring" and "repetitious" should be enough to kill any hesitation in ripping out our subtle racism. As editors, it's our duty to point out the subtle dynamics of racism to even the best intended authors. Like my WWII example, some authors will pushback saying inclusion as not relevant to their topic. (We heard that argument again from math and science teachers, for example, who presumed all Indigenous knowledge was unscientific and unrelated to math—which is, you know, pretty racist!) But making authors do the work to make the book better is our job. In my experience, once they've done the necessary research rewriting, they are grateful to see their book so improved.<P><hr><p>While on the topic of racism, I should note another issue that comes up (came up in Alberta under the Lougheed government when Lougheed poured millions of dollars from the Heritage Trust Fund into creating Alberta-based textbooks) which is 'authentic historical accounts". Alberta Education in the 1970s wanted to switch from Ontario-centric history texts to Alberta relevant materials, including primary recourses like diraries, memoir and so on. Unfortunately, as historians turned up with this or that archival material, it turned out to be really, really racist. The problem is, if you cut the racist bits out, then it looks like Albertans in 1906 weren't racist, which is obviously white washing history. But leaving the racism intact risks perpetuating racism by suggesting that yes, Indengous in 1890 were dirty, untrustworty criminals, or whatever. So some folks said, "We can't use this" while other folks argued, "We can't bury it either!" <P>The solution (obvious,once one hears it) is to print the unabridged authentic work, but then provide an preface that says, "Hey, as you're reading this, watch out for the blantant racism. See if you can identify ten of the 57 examples of where the diarist makes racist assumptions. Which of his racist comments is the most damaging. Why was it in the interests of this settler to believe those things." And so on. You get the idea, though of course the prefaces were actually a lot better written and more genuinely thought-provoking. And then the book also had an afterword where the same author of the preface answers the questions raised in the preface. "What did you think of his saying Indigenous were untrustworthy on page 43?" etc. <P>Facing our historical racism, helping kids identify racism when they hear and see it, making them think about why these particular stereotypes and not some other...those are all important parts of social studies. <p>That's the solution Peter Lougheed's cabinet came to in the late 1970s&emdash;I'm pretty sure Lougheed would be spinning in his grave if he were able to see what the UCP have done to his attempt to move the province out of the 1950s....
Robert Runtéhttp://www.blogger.com/profile/14629421213549342874noreply@blogger.com0tag:blogger.com,1999:blog-2009728911968587131.post-49525525057024897322023-06-17T15:13:00.003-07:002023-06-17T15:13:21.515-07:00My Review of Sally McBride's "The Fragrance of Orchids and Other Stories"<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiviYCLMJLzhyNovlmGLS9Qpe75rl9GeOcqSyrciFzGWyXR3_8RXtuWu2V-nCwwxa2PV31V2KbtVtsRyuu9_spf3BMCZCZyCLVr1_5EX90F-5bF0MYCHaf7qXd3wyJ9ujBrSfpd0SSd6Imk4OYGzAzjWha4pWy17aenquWYjtxCayFoTzh4DA/s1600/TFOO-cover-1k.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="400" data-original-height="1600" data-original-width="1000" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiviYCLMJLzhyNovlmGLS9Qpe75rl9GeOcqSyrciFzGWyXR3_8RXtuWu2V-nCwwxa2PV31V2KbtVtsRyuu9_spf3BMCZCZyCLVr1_5EX90F-5bF0MYCHaf7qXd3wyJ9ujBrSfpd0SSd6Imk4OYGzAzjWha4pWy17aenquWYjtxCayFoTzh4DA/s400/TFOO-cover-1k.jpg"/></a></div>My review of Sally McBride's "The Fragrence of Orchids and Other Stories" is up at the Ottawa Review of Books.
<A href="https://www.ottawareviewofbooks.com/single-post/the-fragrance-of-orchids-by-sally-mcbride">https://www.ottawareviewofbooks.com/single-post/the-fragrance-of-orchids-by-sally-mcbride</a>Robert Runtéhttp://www.blogger.com/profile/14629421213549342874noreply@blogger.com0tag:blogger.com,1999:blog-2009728911968587131.post-134943964422284812023-05-31T17:16:00.034-07:002023-05-31T17:16:00.135-07:00My Story "Inuksuk" Reprinted in Metastella<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeOeKmz_TujPeRNuUEePzHZxZHRG1WBqH3cYG5BkyTEQzJSrVjOSiAIg9SJA9STJrsZy9PrIWbeG8n1Kp-wLnv1GqWnPkXTOp36RISgxUXPdpfnB5pKTGAA5U0NCLZrM6li51yMDddNEGZnQysWLmz706yOJACSjuUCuxJALKEDBFSc5DPZstF3kFZ/s300/picas-49-300x168.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="400" data-original-height="168" data-original-width="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeOeKmz_TujPeRNuUEePzHZxZHRG1WBqH3cYG5BkyTEQzJSrVjOSiAIg9SJA9STJrsZy9PrIWbeG8n1Kp-wLnv1GqWnPkXTOp36RISgxUXPdpfnB5pKTGAA5U0NCLZrM6li51yMDddNEGZnQysWLmz706yOJACSjuUCuxJALKEDBFSc5DPZstF3kFZ/s400/picas-49-300x168.jpg"/></a></div>
My story, "Inuksuk" (originally published in <i>Polar Borealis</i> #15 (June 2020), is now available online at <a href="https://www.metastellar.com/fiction/inuksuk/">https://www.metastellar.com/fiction/inuksuk/ </A>Robert Runtéhttp://www.blogger.com/profile/14629421213549342874noreply@blogger.com0tag:blogger.com,1999:blog-2009728911968587131.post-35753474910511697982023-05-28T21:44:00.002-07:002023-05-28T21:44:29.799-07:00 My Drabble, "Staked to the Stars" Published<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjE2x1iaY3S1Pi9XvIv-sg5tSYU223ECZUL32gX4mHt7ZggMPR6Bl4Afvk65hUauFhLITCpvAjSl918jrU0OyLMgIDG2VRbcPn8ergyNSGHfWkxkY2ITOatisixTJkGiZ-8E-m27sLbRvty7O-x5Wi6YcskYhRiBnTwSlLe5yplCfCf1qysPf-HOXaO/s1024/hope-ge9682fa4f_1920.webp" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="400" data-original-height="576" data-original-width="1024" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjE2x1iaY3S1Pi9XvIv-sg5tSYU223ECZUL32gX4mHt7ZggMPR6Bl4Afvk65hUauFhLITCpvAjSl918jrU0OyLMgIDG2VRbcPn8ergyNSGHfWkxkY2ITOatisixTJkGiZ-8E-m27sLbRvty7O-x5Wi6YcskYhRiBnTwSlLe5yplCfCf1qysPf-HOXaO/s400/hope-ge9682fa4f_1920.webp"/></a></div>My drabble (a 100-word story), <a href="https://microfictionmondaymagazine.com/2023/05/22/microfiction-monday-187th-edition/">"Stalked to the Stars"</a> leads the 187th issue of <I>Microfiction Monday Magazine</i> (May 22, 2023).Robert Runtéhttp://www.blogger.com/profile/14629421213549342874noreply@blogger.com0tag:blogger.com,1999:blog-2009728911968587131.post-19577732017909716072023-05-19T09:03:00.001-07:002023-05-19T09:03:24.124-07:00Round Table Discussion on Canadian SF&F at On Spec MagazineOf possible interest: "Canada in Conversation – SFF from the Global South to the Meeting Point of all Worlds"
By Emad El-Din Aysha, PhD up at <i>On Spec Magazine</i> <a href="https://onspec.ca/a-round-table-conversation-about-canadian-science-fiction-and-fantasy/">https://onspec.ca/a-round-table-conversation-about-canadian-science-fiction-and-fantasy/</a><P> A long exchange with Emad with myself and other Canadian SF authors. Someone needs to write a book, though. <P>My own comments are thin on Quebec SF and newer writers--I even missed many of the old established authors--but still of possible interest. Robert Runtéhttp://www.blogger.com/profile/14629421213549342874noreply@blogger.com0tag:blogger.com,1999:blog-2009728911968587131.post-40714419519909522882023-05-19T08:46:00.000-07:002023-05-19T08:46:22.599-07:00New Drabble, "Disposable" up at Fairfield Scribes Micro Issue #29.<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNX8nLce6Y8jX5wOxZpRBJQ8Yt-Bz2cixR7iw3BJOVNt7Emg1WVacWLwsB2B9Q8IPoaZMGUtwjGpO0PwHL3eAIaxrKaPgdogUIYIfNPH1uP9grPyJCSHo_tvJu9QI9EwEnK8e5LEIIi4akrTkETWIFJminhh-afxsnZFvhlOAdV7ZsB4PL4A-7C2Hp/s1100/346615649_266972762396608_5037692173510148698_n.jpg" style="display: block; padding: 1em 0; text-align: left; "><img alt="" border="0" width="400" data-original-height="707" data-original-width="1100" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNX8nLce6Y8jX5wOxZpRBJQ8Yt-Bz2cixR7iw3BJOVNt7Emg1WVacWLwsB2B9Q8IPoaZMGUtwjGpO0PwHL3eAIaxrKaPgdogUIYIfNPH1uP9grPyJCSHo_tvJu9QI9EwEnK8e5LEIIi4akrTkETWIFJminhh-afxsnZFvhlOAdV7ZsB4PL4A-7C2Hp/s400/346615649_266972762396608_5037692173510148698_n.jpg"/></a></div>
<a href="https://www.fairfieldscribes.com/issue-29.html">https://www.fairfieldscribes.com/issue-29.html</a>Robert Runtéhttp://www.blogger.com/profile/14629421213549342874noreply@blogger.com0tag:blogger.com,1999:blog-2009728911968587131.post-28486524713610092902023-05-19T08:38:00.004-07:002023-05-19T08:38:57.618-07:00Review of The Crystal Key by Douglas Smith [Originally published in <i>Ottawa Review of Books</i>.]<P><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicPMBLkOyvNrUQDloZwXhpRL8METBZujtCEL0yxIwHnzGqKErsA8haepIZUyHRokxpsMJAEvh5uR4NzItu5UJ3fUEOc8KmVO0dOwufmvI4xWDIwe7hkhWF2D9n1eNuJsHoVGy_vpzUu9S0UeYoDdf0I8UwBhyJmfXiXPnnLotbdj-7Jo-OlQ/s385/346644816_259329096590516_8771961466729068675_n.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="400" data-original-height="385" data-original-width="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicPMBLkOyvNrUQDloZwXhpRL8METBZujtCEL0yxIwHnzGqKErsA8haepIZUyHRokxpsMJAEvh5uR4NzItu5UJ3fUEOc8KmVO0dOwufmvI4xWDIwe7hkhWF2D9n1eNuJsHoVGy_vpzUu9S0UeYoDdf0I8UwBhyJmfXiXPnnLotbdj-7Jo-OlQ/s400/346644816_259329096590516_8771961466729068675_n.jpg"/></a></div><p>If you've already read <i>The Hollow Boys</i> (Book 1 in the Dream Rider saga), you don't need me to tell you to buy the sequel (except to say that it was published in March and is now available). If you are new to the trilogy, Smith insists that you read Book 1 first: this is a single mystery written across three books, with Book 2, The Crystal Key, picking up directly a few weeks after the climactic events of <i>The Hollow Boys</i>. Although Smith provides some backstory, the reader must keep the momentum going from Book 1 to land in <i>The Crystal Key</i>.
<P>
With <i>The Hollow Boys</i>, I was slow to realize I was reading a text-based superhero story; knowing that, Smith surprised me again with <i>The Crystal Key</i>, tapping into my deep nostalgia for Saturday matinee serials. The opening scene in particular put me right in the middle of episode 12 of, say, Radar Men from the Moon. Or, if you grew up a few generations later, the banquet scene from <i>Indiana Jones and the Temple of Doom</i>. Smith manages to perfectly capture the summer I was 13, hunkered down on the basement couch reading <i>The Black Dwarf of Outer Mongolia</i> - only without the overt racism and stilted dialogue of that era . . . or the banquet scene in <i>Indiana Jones and the Temple of Doom</i>. Smith manages to update the genre with an ethnically diverse cast and strong female characters. Smith's take on superheroes and serials is both modern and original, but it recreates the same energy, the same yearning for superpowers, the same subconscious fear of dark places and boogeymen as the best stories of our own remembered youth. High adventure leavened with romance and mystery. Perfect for any 13-year-old looking for a summer read, or any 70-year-old looking to be 13 again for a while.
<P>
As the title suggests, the McGuffin here is an ancient crystal, the key to the mysterious disappearance of our hero's parents, his own superpowers, and the various factions vying to kill him. Finding it, figuring out what it does, how it works, who else wants it, what they want it for, and what they are willing to do to get it, keeps things moving at a fast clip. No spoilers, so all I can say about the plot is that it involves the multiverse, astral travel, ancient cults, hypnotic powers, criminal gangs, private mercenaries, romance, and betrayal. In other words, the whole 1950-60s Saturday matinee movie package.
<P>
The other thing Smith nails perfectly is the outside observer. Effective mysteries have to lead the hero(s) through a series of incremental steps to a point where they (and now the audience) know what's going on, but no one else could possibly believe it. The really great versions, as here, introduce the "Wait, what?" character, the outsider who arrives late in the story and, lacking those earlier experiences, is suitably discombobulated often to comic effect. Smith's subplot of the intrepid reporter confronted with an inexplicable-and ultimately unreportable-story is a textbook example of this outsider-observer technique.
<P>
My only complaint is that, for the sake of brevity, Smith occasionally lapses into explaining what various characters are feeling rather than showing us. This is especially noticeable with the two leads, who are constantly worrying about their relationship with the other -- but to be fair, I was probably that obsessed with relationships at that age, so okay, I'm willing to give Smith a pass on that one.
<P>
Overall, great fun. While it is common for the middle of a novel, or the middle book of a trilogy, to drag a bit, that is definitely not the case here. The Crystal Key has everything that made The Hollow Boys work and turns it up a few notches. I can't wait for the conclusion in The Lost Expedition, which is coming soon.<p>[Boo1 in the Dream Rider Series was shortlisted for an Aurora Award in the YA category.]
Robert Runtéhttp://www.blogger.com/profile/14629421213549342874noreply@blogger.com0