Detailed Review of North by 2000+

Well, it's ten years or so after the book was published, but here's a just released and excellent review of H. A. Hargreaves' North by 2000+, a book I acquired for Five Rivers Publishing and for which I wrote the forward and analytical afterword. (The review says nice things about my essays too.) Hargreaves remains one of my all-time favourite writers and worthy of a much wider audience. He was inducted into the Canadian Science Fiction and Fantasy Hall of Fame before he passed away, but he remains as relevant today (the reviewer says even more relevant) than ever, and should be required reading for all Canadian SF writers.

The review is by Graeme Cameron (editor of Polar Borealis and a long-time critic and reviewer) and published Feb 7,2020 on Amazing Stories website: https://amazingstories.com/2020/02/clubhouse-review-north-by-2000-an-anthology-by-henry-a-hargreaves/

H. A. Hargreaves, PhD (1928-2017)

H. A. Hargreaves, the grandfather of Canadian science fiction as a distinct genre, passed away July 27, 2017. This is more or less what I said at his funeral yesterday:

I have to confess that I didn't know Hank all that well. I'd only ever met him in person five or six times. But as H. A. Hargreaves, the author, he had a profound influence on my life.

I first met Dr. Hargreaves in 1977 when I was helping to organize an open house for the campus science fiction club (ESFCAS). A club member I didn't know well said, "Hey my English professor has just had a collection of his science fiction published. It's actually pretty good. Let's get him to do a reading." I was skeptical, because in 1977 sf was not widely considered appropriate subject matter for a professor of English literature, so who knew what an English professor might think of as SF; and I had frankly never heard of Hargreaves. But I didn't have a better idea, so we invited Dr. Hargreaves to read.

He read "Dead to the World", his most famous and most widely reprinted story, to a crowd of about 50. That story—and the rest of the North by 2000 collection, which I then rushed out to buy—changed my life.

First, Hargreaves showed me that there could be a distinctly Canadian science fiction. Hargreaves' was the first collection ever explicitly marketed as "Canadian science fiction", which was itself a new idea for me. I think everyone assumed that SF was a strictly American genre, exemplified by John W. Campbell's Analog magazine. Before hearing "Dead to the World", I had been slowly reading my way through the Hugo and Nebula award-winning novels (mostly American and British writers), but after hearing "Dead to the World" it occurred to me to search instead for Canadian SF. "Dead to the world" was charming, oddly engaging, and completely different than anything I had ever encountered before. Here was a new version of the genre that resonated with me in a way I couldn't completely put my finger on. So I tried to nail that down, and ended up spending the next 40 years of my career lecturing on the nature of Canadian science fiction, as distinct from the American and British versions of the genres.

Second, Hargreaves was a major influence on my own writing. (Well, by "major influence", I mean the opening scene in my novel is a direct steal from the opening scene of "Dead to the World".) As a reader, reviewer, and editor, I must have read thousands of short stories over my career, but the stories that most often come floating into memory are those from Hargreaves' collection. There is something strangely compelling about his story-telling that makes these quiet stories about TV repair, bureaucracy, or a college classroom so uniquely memorable. I never took a class from Professor Hargreaves, but he was certainly one of the people who taught me how to write.

More than that, his writing from a distinctly Canadian perspective gave me (and the other Canadian SF authors emerging in that period) permission to do so also.

I mentioned the American editor, John W. Campbell. Campbell was immensely influential, not least because his was the highest paying SF magazine, which meant everyone tried to match their style to Campbell's tastes in hopes of selling to Analog. Hargreaves was a great fan of John W. Campbell as well, and always sent his stories first to Analog, for as long as Campbell lived.

However, in contrast to Cambpell's preferred alpha-male, engineer heroes—who always won the day by dint of superior character and scientific knowledge—Hargreaves' protagonists were ordinary people caught up in sort of mundane events. Instead of a Captain Kirk or a Captain Picard heroically defending Star Fleet, Hargreaves wrote about the spaces station's TV repairman. Whereas Campbellian fiction was about winning through to one's goals, Hargreaves heroes often failed to achieve their goals. Instead, if they got their happy ending, it was by suddenly realizing that they had been pursing the wrong goal, and now choosing something different. The protagonist of "Dead to the World" for example, fails in his attempt to correct the computer error which has listed him as dead. After several attempts to be reinstated, he comes to realizes that he's actually way better off (listed as) dead.

Campbell always wrote back with a two-page critique, saying he loved the story, but that it would have to be changed to be an Analog story, fit for Campbell's American audience. Hargreaves, however, always chose to stick to his own vision, and sent it instead to British editor Ted Carnell—who always printed the story exactly as is.

(There was one exception. On the last story Hargreaves submitted to Campbell, Campbell made the usual demands for revisions, but then ended by saying, 'or you could forget all that and instead take this other suggestion for when you send it to Ted.' Hargreaves took that one, greatly pleased that Campbell had apparently understood Hargreaves' vision all along, and had approved of the stories going to Carnell instead.)

By modelling one version of what Canadian SF might look like, and sticking to his vision rather than trying to conform to the American market, Hargreaves became the grandfather [Phyllis Gotlieb is the grandmother] of a distinctly Canadian SF. He was consequently inducted into the Canadian Science Fiction and Fantasy Associations Hall of Fame in 2015.

Hargreaves next to display of Hall of Fame Trophy, at Fish Creek Library, Calgary.

Third, it was not lost on me that although Hargreaves wrote only a single story every other year, he still managed to create a significant canon—both in terms of size and importance—over his lifetime. Busy with life as literature professor and father, teacher and opera singer, he devoted only a single week of his holidays to writing that year's short story. As a professor and dad myself, I look to Hargreaves' as my model of a successful writing career. I often hear people claim they need to quit their day job to become full-time writers, or that anyone who claims to be a professional writer who does not make their entire income writing is a fraud. Hargreaves' example puts the lie to all of that. No one can dispute either the quality of his work or his place in history of the genre, yet his writing life was squeezed into a corner smaller than that afforded to many of those who complain that they cannot manage with less than full-time. Full-time is great if you can get it, and even half-time would be privileged, but no time is no excuse. Writers should check their sense of entitlement when embezzling time from parenting, familial, or day-job responsibilities. If Hargreaves could do it, so can the rest of us.

Similarly, although I recognize the existential threat presented by the writing hobbyist to those professional writers trying to distinguish themselves from those engaged in vanity self-publishing, Hargreaves' writing career demonstrates that percentage of income may not be the best measure of 'professional quality'.

* * *

After lecturing about Hargreaves place in history for two generations, I was confronted by an audience member who pointed out that North by 2000 had been out of print for years, and nearly impossible to find.

"I'm surprised no one has thought to reprint it," I said. "It really deserves to be available to the current generation."

"Aren't you Senior Editor at a small press?" my questionner asked.

Do'h!

So I did take the manuscript to my publisher, who developed the expanded edition, North by 2000+, which include every SF story Hargreaves had ever written. She loved Hargreaves writing so much, she asked to see what else he had. Thus was born Growing Up Bronx Hargreaves collection of autobiographical stories.

* * *

Meeting Hank, the person, was always an honour and a pleasure. He was always kind, generous with his time, and soft-spoken. I can't imagine him ever shouting in anger, though I know that injustice angered him. He was the archetypal 'nice' Canadian, though as demonstrated by his refusal to compromise his vision, 'nice' should not be confused with a lack of strength or character. I suppose I should count this the fourth dimension on which Hargreaves has had a significant influence on me. I hesitate only because I spent so few days in his actual presence, but reading Growing Up Bronx makes it feel like I have known the man from childhood.

CSFFA Hall of Fame Plaque Presented to H. A. Hargreaves

One of the best things I've done since becoming an editor with Five Rivers Publishing, was organizing to have H. A. Hargreaves's pioneering short story collection (the first ever marketed as "Canadian Science Fiction") reprinted. We made the decision to add every SF story he'd written since the original North by 2000 came out in 1976 and so called the new edition, North by 2000+. I wrote a lengthy afterword explaining why Hargreaves' stories were so influential and remain so significant, and also how his Canadian SF was different from the American SF of the time. (Basically, it was the lecture on Canadian SF I had been giving for the previous 30 years, but written down in the same book as most of my examples.)

Lorina (the publisher at Five Rivers) was so impressed with the collection, that she asked to see and subsequently published Hargreaves non-SF collection, Growing Up Bronx —which is an equally wonderful memoir of his childhood, albeit, revealing that the father of a distinctly Canadian genre of SF actually grew up American.

So, it made me distinctly happy to be able to be on hand to present Dr. Hargreaves with the Plaque from the CSFFA inducting him into the Hall of Fame.

Cliff Samuels, CSFFA Awards Co-ordinator (left), Hank Hargreaves (Center), Robert Runté (right)

The Canadian Science Fiction and Fantasy Association's Hall of Fame acknowledges outstanding achievements that contribute to the stature of Canadian science fiction / fantasy. Inductees names are inscribed on a two-sided trophy. The two back-to-back faces are in the spirit of Janus, Roman God of doorways, of decisions and of beginnings and endings. They look forward to the future, as much of Science Fiction always has, and back to the past, which is the home of most of Fantasy. The trophy is currently on display at the Merril Collection of the Toronto Public library.

The male face represents the field of Fantasy with elements of Bacchus, Loki and the Green Man in the wild look and secretive, ironic smile. His helmet is the Knight’s helmet of Classical Fantasy. His wild face reminds us of not only the myths and legends that underlie all literature but also of dark fantasy and all of its eldritch children.

The female face is timeless, a homage to the sub-genre of Time Travel. Her helmet is a retro space helmet, referencing the traditional role of Space in Science Fiction. The retro helmet is also a bow to the sub-genre of Steam Punk, a part of the growing field of Alternate History.

In addition, inductees are presented with a personal plaque with the two engraved images of the trophy's faces. In 2015, three authors were inducted into the Hall of Fame for outstanding lifetime achievements: Dave Duncan, H.A Hargreaves, and Micheal Coney. Michael Coney passed away in 2005 and Dave Duncan received his plaque at a ceremony at VCon 41, Vancouver. Dr. Hargreaves, however, was in hospital and could not receive his plague until now. On Sunday, December 7, 2015, Cliff Samuels, CSFFA Awards Coordinator, and Robert Runté, Senior Editor at Five Rivers Publishing and one of five members of the CSFFA Hall of Fame Selection Committee for 2015, presented Dr. Hargreaves with his plaque at his home in Calgary.

My thanks to Aylson Hargreaves (his daughter) and Lee Hargreaves (his wife) for hosting Cliff and I for the presentation, especially so soon after Dr. Hargreaves was released from hospital. Special thanks to Cliff Samuels for coordinating the presentation, and to Clint Budd and the other Hall of Fame Selection Committee Members.

(Photo of Presentation: Aylson Hargreaves; Trophy Photos from MonSFFA webpage)